Caroline Kronenberg 2018
THE SHADOWS WE LEAVE BEHIND
Caroline’s time at Ne’-Na Contemporary Art space was spent focusing on the theme of life-cycles inspired by the local bee farm, as well as all the beautiful seed pods she found on her walks.
Life-cycles may be viewed at either a universal or singular level. Everything is constantly changing. A reminder that we are all part of the forces of nature and subject to them no matter what our background or beliefs.
The bamboo sculptures created here, with the help of the very skilled local workers have a lifecycle and lifespan of their own. The bamboo in these creations were given a new life and the shadows they cast are yet another reincarnated form of the original.
Caroline Kronenberg was born in Switzerland and spent her teens in Hong Kong. She graduated with a Bachelor of Applied Science degree (Vision Science) at Sydney University and currently studies a Master of Art at UNSW Art and Design.Caroline explores an amalgamation of art and science. She is interested in how people view things and how the sense of sight is regarded not just as a physical process but how we interpret what we see. Her particular interest is temporality and how humans deal with the reality of this. She is currently investigating the Zen Buddhist philosophy of impermanence, which embraces the process of nature as a part of life’s flow of energy. Caroline’s material is time and she considers herself a 4D sculptor and installation artist.
THE SHADOWS WE LEAVE BEHIND
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Caroline Kronenberg was born in Switzerland and spent her teens in Hong Kong. She graduated with a Bachelor of Applied Science degree (Vision Science) at Sydney University and currently studies a Master of Art at UNSW Art and Design.Caroline explores an amalgamation of art and science. She is interested in how people view things and how the sense of sight is regarded not just as a physical process but how we interpret what we see. Her particular interest is temporality and how humans deal with the reality of this. She is currently investigating the Zen Buddhist philosophy of impermanence, which embraces the process of nature as a part of life’s flow of energy. Caroline’s material is time and she considers herself a 4D sculptor and installation artist.
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